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Préface
par Lewis Dobrin (Disponible en anglais seulement) -
Introduction
par Alan Klinkhoff (Disponible en anglais seulement) -
Biography of Mitzi & Mel Dobrin
by Harold M. Waller -
Tom Thomson
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Tom ThomsonEarly Spring, Algonquin Park (Canoe Lake), 1917 (Spring)Oil on board8 11/16 x 10 5/8 in.'There is a wonderful stillness and maturity in this superb sketch, painted in the spring before Thomson’s premature death in the summer of 1917.' -Charles C. Hill Tom Thomson’s oil sketches were almost all painted in front of the motif and worked up into canvases during the winter in Toronto. The change of scale between the small sketch and large canvas posed new challenges and as sketches fed his canvases, the painting of the canvases also brought changes to his sketches. A new formality first...
22 x 27 cm
This work is included in the Tom Thomson, Catalogue Raisonné, published by Joan Murray, no. 1917.05Vendu'There is a wonderful stillness and maturity in this superb sketch, painted in the spring before Thomson’s premature death in the summer of 1917.' -Charles C. Hill Tom Thomson’s oil sketches were almost all painted in front of the motif and worked up into canvases during the winter in Toronto. The change of scale between the small sketch and large canvas posed new challenges and as sketches fed his canvases, the painting of the canvases also brought changes to his sketches. A new formality first...
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Frank H. Johnston
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Francis Hans (Frank/Franz) JohnstonTribute to Tom Thomson, 1923-1925 (circa)Oil on canvas57 x 42 inFrank Johnston got his real start as an artist when he worked at Grip Limited in Toronto in 1911. At this lively, highly competitive commercial art firm, he met future Group of Seven members J.E.H. MacDonald, Arthur Lismer, and Franklin Carmichael. There is no record of his meeting Tom Thomson but both were at Grip at the same time. Likely they spoke or, at least, had a nodding acquaintance. Doubtless, Johnston would have watched Thomson go on his painting trips (which began in 1912) with...
144.8 x 106.7 cmVenduFrank Johnston got his real start as an artist when he worked at Grip Limited in Toronto in 1911. At this lively, highly competitive commercial art firm, he met future Group of Seven members J.E.H. MacDonald, Arthur Lismer, and Franklin Carmichael. There is no record of his meeting Tom Thomson but both were at Grip at the same time. Likely they spoke or, at least, had a nodding acquaintance. Doubtless, Johnston would have watched Thomson go on his painting trips (which began in 1912) with...
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Robert Pilot, Goodridge Roberts et Frederick Varley
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Robert PilotThe Lane, Peel Street, Montreal, 1950 (circa)Oil on canvas28 x 22 in
71.1 x 55.9 cmVendu -
Goodridge RobertsStill Life and Table, 1954 (circa)Oil on masonite22 1/2 x 30 in
57.1 x 76.2 cmVendu -
Frederick H. Varley1881-1969Portrait of Nancy, 1948 (Toronto)Inscribed, ‘GMG SPRUNG’ (lower horizontal stretcher); stamped and numbered, ‘VARLEY INVENTORY / No. 301 / NOTIFY NATIONAL GALLERY / OF CANADA OF CHANGE IN / OWNERSHIP OF ADDRESS’ (lower horizontal stretcher); inscribed, ‘TORONTO 1948’ (lower horizontal stretcher)Oil on canvas20 x 16 in
50.8 x 40.6 cm
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Clarence Gagnon
"Master of small landscape paintings."
-Michele Grandbois
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Clarence A. GagnonJour de boucherie, Baie St. Paul, 1923 (circa)Oil on panel5 x 7 in
12.7 x 17.8 cm -
Clarence A. GagnonFerme du rang Saint-Laurent, Baie Saint-Paul, 1924 (circa)Oil on wood panel4 3/4 x 7 1/4 in
12.1 x 18.4 cmVendu -
Clarence A. GagnonEarly Spring, St. Urbain, 1920 (circa)Oil on panel5 3/4 x 8 3/4 in
14.6 x 22.2 cmVendu
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David Milne
"David Milne was one of the most accomplished artists of his generation, whether in Canada or beyond."
-Mark A. Cheetham
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David MilneSewing I, Toronto, 1940Watercolour on paper15 x 11 1/8 in
38.1 x 28.3 cm
This work is included in the David B. Milne Catalogue Raisonne of the Paintings compiled by David Milne Jr. and David P. Silcox, vol. 2, no.401.40.Vendu -
David Milne
1881-1953
The Knitter (Toronto), 1940 (February)inscribed, ‘The Knitter’ (verso); inscribed by Duncan, ‘<159 / 174 / 182> W-184 // Feb 1940’ (verso); inscribed by the Duncan estate, ‘1258’ (verso)Watercolour on paper14 7/8 x 16 7/8 in
37.8 x 42.9 cm
This work is included in the David B. Milne Catalogue Raisonne of the Paintings compiled by David Milne Jr. and David P. Silcox, Vol. 2, no 401.48.
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