Orchestre à cordes

“He now counts among the leading painters of French-Speaking Canada, with a compelling story all his own to tell…” Marius Barbeau wrote about Masson in 1945. Much of his story is about le quotidien, the daily life of his people. Certainly his experiences of music and dance, from the barn to the concert hall, and with the pageantry of the church, from his earliest days among the Christian Brothers in Ottawa, were integral to his upbringing and described by him with originality. 

In The Canadian Encyclopedia Masson’s repertoire and artistic style is described as, “Still lifes and paintings of monks and choirboys, musicians, children and a great variety of commonplace activities deal with subjects that he considered to convey the essence of life. Masson used a loose, vigorous brush style in many media. His best works are full of detail and movement, with a broad range of colour, and convey a sense of immediacy to the viewer." [1]

Few today recall Douglas Duncan’s Picture Loan Society in Toronto where Masson had his first exhibition. Douglas Duncan was a connoisseur of the art of his day. Paul-Emile Borduas was to have his first Toronto exhibition with Duncan. And of course, for those who remember Duncan, he was legendary for his promotion of David Milne. 

Henri Masson had a large presence. He was a big man and had a bold voice. He was active with and on behalf of artists including musicians, composers and filmmakers. The Conference of Art in Canada held in Kingston and the Federation of Canadian Artists were initiatives in which he participated. 

Masson was a member of the Canadian Group of Painters, Canadian Society of Painters in Water Colours, Canadian Society of Graphic Arts and the Ontario Society of Artists. In 1955, Masson received an LL.D. from Assumption College in Windsor, Ontario. The Walter Klinkhoff Gallery, our original family art gallery, hosted several one man exhibitions by Henri Masson.

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